In the nineties, and even before that, film songs gave so much pleasure to the viewers of basic living that there is no account. It is difficult to clarify whether we find anything logical in these songs. What do we understand by looking at them? We are never able to use these songs talking about love, their dancing, their rich colors, the payment of hero-heroine in the same form in our real life. We do not dance with our boyfriend and girlfriend by going to such locales. Our clothes are never so new, ironed and perfect fashion. Our hairstyle is scattered. Whether it is school girls working at home or married women, their makeup is so perfect, clothes so amazing and face and mind are not stressed. They are wet with sweat. There are always many complications in their parents’ house or in-laws. Apart from dancing in formalities at family weddings, where do you go to the gardens and dance? We do not know how to write songs. Then we cannot give music either. New dance steps also do not come. Filmmaking takes many arts, it takes years for every department to become proficient in every art. So the common man can never actually do these things.
Even Hollywood films like Broadway or ‘L’Mizrabl’ (2012) or musicals like ‘Singing in the Rain’ (1952), Hindustani audiences always find their dance songs strange. But when it comes to our films, do not know which logic they like us!
Most such songs and movies bind us most from childhood to teenage age. The songs that we have seen in this age make our first fantasies. Seeing the parts of the stories of the films and the lovers, climaxes, songs in them, children feel that maybe something similar will happen in the life to come. As long as the marriage is not done or until the intercourse is done, the attraction of the youth towards each other is due to a lot of secrets. Then we are watching these songs from a different point of view. But when those secrets are realized, bodies are explored, then some hypnosis of these songs breaks.
When you start a job and keep going home, in this tension you are walking on the rope; When you are falling on the solid ground of family responsibilities and eating pain; When filmy love with teenage, songs do not find any way to enjoy the same way even after the age of 30-35; When it comes to understanding how films are made and actor-actresses are smiling, singing, hugging, kissing, then they are showing only in reality; What he is seeing is just a superficial picture, empty from within – when we go through these thoughts, then the movies or songs we see later stop being fantasy.
If a poor man, then maybe once a year, showing the film to the family brings it to formality or to feel like an achievement or because of some festival. The next day, he goes out to do that work on real concrete ground. If middle-class and upper-middle-class humans go to the multiplex to see a movie in the weekend, then there is no innocence while watching it. There the intention is to complete the formality for the wife or children or to chill or consume the film product by paying money. Merchants like talking. Innocence is not there For these people, at the same level, these new films affect at most these levels. Like the films seen in the childhood-early youth, emotions do not go away.
Almost all of the songs shared before Govinda belong to the nineties. Whatever readers, then children or teenagers or young people, have gone anywhere in life, how many have become educated, have become elite, there is something in these songs that will not allow them to be separated from their whole life. Because these songs caught us while we were blank. That printing will not go away. Today we may be in trouble but when they came and we saw them then we were relaxed, free.
There is no noise in any of these songs of our time. There is a rhythm in everything. All are sweet and sweet. The mind and heart are full.
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Like today’s rappers or composers or listeners, we did not have to take drugs to go to the ultimate bliss. Or did not have to do loud volume as much as numb the nerves of the brain. Why was Govinda the same thing in the songs of his contemporary actors, that even after listening even today, no need to feel intoxicated. While listening to them, there is a pleasure with blood in the veins, which keeps one conscious but gives a lot of pleasure. These songs used to be played in the decks of a family in the locality and used to be happy listening to the whole locality.
People who enjoy this entertainment of the nineties or those living in the same economic background will like these songs as much in 2016. very. If a truck driver is given these 48 songs of Govinda, then he can spend the whole night driving with pleasure. The bus driver can sit on the seat listening to these songs throughout the day. Away from fatigue. If an artisan, laborer, a man digging the foundation of a house is playing these songs in the radio, then he can do a full day’s work comfortably. It will be very convenient. Tampo drivers can drive all day without physical fatigue or cursing life. If you are returning after getting married and these songs are playing in the car, then both the husband and wife will be so thrilled that they cannot make a statement. They will never forget the return drive and some songs will be taken back in the same moment of happiness.
This is to say that there is no logic to these songs. Ramayana with the same love. The same dance song. And this is not happening even in the real, there is only an illusion that is visible to the eyes, but still their magic is that you are doing the most manual work and these songs will distribute your complete fatigue. Huh. Let’s cut your time. Relax you in moments of despair. Let us return the smiles of our past. Don’t know what magic it is.
Govinda was born on 21 December 1963. There is no right way to remember him from his songs. He is perhaps the last superstar of Hindi cinema with the most magical package of dance and song. Now there is no one like him. Whether Hrithik Roshan or Tiger Shroff or Varun Dhawan, who came to the song Govinda and played like they did, no one can do it now. Now anyway the cinema with songs is going. Now is the primacy of the story. There is music but in the background or one or two marketing songs. Govinda is probably the only actor whose dance timing and payoff in dance was enjoyed by the film people too. Abhishek Bachchan, Farhan Akhtar, Hrithik Roshan were children while Govinda was crazy. Used to dance on them. He is a fan even when he grew up. Generations of Varun Dhawan and Siddharth Malhotra as well.
If Govinda had cleverly created his public image, he might have become iconic. Would be legend But he did not pay attention. Apart from films, you may not like Govinda at all, but in films and in these 48 songs, he is not fanned by seeing them. Here they are legend only. In these songs, he was doing something which was not at all going to be laziness, time pass or just like that. This was something that only and only he did. Whether he became a dancer inspired by Michael Jackson or the disco dancers of the west. Even if he copied them, in the end Govinda was only Govinda. There is no one like them.
These songs are stoopid or irrational or faulty, but they are full of joy and fun. This pleasure is hard to define. But they will keep listening. There is no ranking of these 48 songs. I have this playlist for you. Share your favorite songs in comments. If Govinda was of your age, then you can also share how his films and songs were affecting your life at fantasy or other levels. Or they can tell what happens inside by listening to these songs. Why are we happy?
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